Angebote zu "Assembly" (10 Treffer)

A Bill to Incorporate the Western Railroad Comp...
27,49 € *
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A Bill to Incorporate the Western Railroad Company (Classic Reprint): North Carolina General Assembly

Anbieter: Hugendubel.de
Stand: 14.08.2018
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An Act to Incorporate the City of Galesburg in ...
27,49 € *
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An Act to Incorporate the City of Galesburg in Knox County (Classic Reprint): Illinois General Assembly

Anbieter: Hugendubel.de
Stand: 14.08.2018
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A Bill to Incorporate the Western North Carolin...
26,99 € *
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A Bill to Incorporate the Western North Carolina Railroad Company (Classic Reprint): North Carolina General Assembly

Anbieter: Hugendubel.de
Stand: 14.08.2018
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Bill, 1909, Vol. 1 als Buch von Ontario Legisla...
55,49 € *
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Bill, 1909, Vol. 1:An Act to Incorporate the Eastern Ontario Electric Railway Company (Classic Reprint) Ontario Legislative Assembly

Anbieter: Hugendubel.de
Stand: 14.08.2018
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Charter of the City of New Orleans of 1896 als ...
28,49 € *
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Charter of the City of New Orleans of 1896:Act No. 45 of the General Assembly of the State of Louisiana, to Incorporate the City of New Orleans, Provide for the Government and Administration of the Affairs Thereof, And to Repeal All Acts Inconsistent or New Orleans General Assembly

Anbieter: Hugendubel.de
Stand: 14.08.2018
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Bills, 1882-3, No. 1 109 als Buch von Ontario L...
54,99 € *
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Bills, 1882-3, No. 1 109:An Act to Amend the Act to Incorporate the Roman Catholic Bishops of Toronto and Kingston, in Canada, in Each Diocese, First Reading, 1883 (Classic Reprint) Ontario Legislative Assembly

Anbieter: Hugendubel.de
Stand: 14.08.2018
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The Evolution of Tanks in World War II: The Dev...
9,95 € *
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World War II was thus the culmination of a quarter century of tank development, and it would also be the first major test of tanks in mobile warfare, during which they had to face other tanks. However, many of the tanks were constructed with the static warfare of the Western Front in mind and were thus slow and had short operational ranges. Others were too light to face opposing tanks or the new generation of anti-tank weapons that hadn’t existed in World War I. The unsuitability of these tank models for this new kind of warfare was quickly recognized, and the belligerent powers scrambled to create better designs. As each new, improved model came off the assembly lines, the opposing powers rushed to create a tank that could beat it. In that regard, World War II was also a war between rival engineers. At the same time, German military officials were at the forefront of developing new ideologies when it came to utilizing their tanks to maximum effect. The Polish invasion proved invaluable in providing the German high command with a low-risk, high-value live fire exercise for their newly minted war machine, while the actual combat experience highlighted the remaining flaws in the system. During the campaign, the Germans honed tactics and weapon systems for the massive struggle with the Soviets, British, and United States that loomed on the horizon. Throughout the war, designers learned how to improve suspension, reorganize the interior to give the crews more room, and incorporate other upgrades that helped with the overall function of the tank. Practical experience from the tank crews was of vital importance in these developments. At the same time, tactics evolved throughout the war. The Germans were early leaders in tank tactics, as their successes from Poland through the opening phases of Operation Barbarossa demonstrated. The main German tank tactic was the so-called Schwerpunkt (´´center of gravity”), in which a concentration of t... 1. Language: English. Narrator: Colin Fluxman. Audio sample: http://samples.audible.de/bk/acx0/117778/bk_acx0_117778_sample.mp3. Digital audiobook in aax.

Anbieter: Audible - Hörbücher
Stand: 13.08.2018
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Avantone Mixcubes Powered Black (the Paire)
645,00 €
Angebot
542,00 € *
ggf. zzgl. Versand

The Avantone MixCubes are shielded, full-range mini reference monitors. Their design is inspired by the legacy of the 5C Sound Cubes used in virtually all-major studios for the last 25 years.Application: Active Recording / Mixdown MonitorsEngineering Objective: The Avantone Active Mixcubes are designed to be high-resolution, full-range powered mini-reference monitors for fixed or remote locations. The secondary engineering facet was to create a timeless design that compliments a single full-range transducer.Performance Objective: Studios primarily use 2-way & 3-way larger monitors designed to represent a wide range reference viewpoint at higher listening levels. However, in this newly developing age of High Definition Audio, there is still a need to also hear what your mix will sound like when played back over small ´´bass-challenged” systems such as televisions, clock radios, computers, car stereos, iPod docking stations, etc. It is important to make mixing judgments based partially on listening to reference monitors that will not impart tonal anomalies caused by crossovers or inferior full range drivers. Particular attention is always paid to the critical mid-range vocal/guitar/keyboard areas. This is where having a full-range monitor without a crossover is truly revealing. Ten months of R&D comparative listening & tweaking went into the voicing of the AVANTONE MixCubes. The result is a very smooth sounding, full range upgrade from the original 5C Sound Cubes. Listening tests reveal that the MixCubes have a smooth, more open, transparent top end response with extended bass while maintaining their basic original character.Cabinet Design: The original 5C Sound Cubes™ were made of ½” particleboard covered with a glue-on wood grain contact paper. We chose to use thicker, denser MDF board because of its high rigidity and inherent low-resonance characteristics. We started with a 165mm (6 1/2) sealed cube design with radiused edges. We then chose an elegant Polyurethane high gloss ´´RETRO-CREAM” finish. The originals had either screws or on later models plastic binding posts mounted on a recessed plastic cup. We upgraded to high-end nickel plated, machined solid metal binding posts (Dual banana spacing) mounted on a black anodized ,milled and silk-screened aluminum terminal plate. Next we added a 7mm thick neoprene pad embedded into the base of the cabinet to serve as a skid-resistant acoustic isolator. Additionally, for creative mounting situations, we recessed an industry standard 5/8”-27 mic stand mount into the base.Driver Design: The originals were a basic 5” stamped frame design. We designed a proprietary 5.25” die cast aluminum frame driver/cone assembly to exceed the performance of the originals. The mounting bezel is then polished for an elegant appearance. The paper cone, chosen for its musical character, is custom designed & crafted using the finest New Zealand pulp with mica fibers added for lighter weight & rigidity. The cloth surround is made in Japan to exacting uniform thickness tolerances. The Top Plate and T-Yoke of driver are made of Sumitomo 1008 low carbon steel enabling the highest modeled flux density in the gap. The magnets are Y- 40 GRADE (MIL-SPEC) yielding a 43oz. High Power-low distortion motor structure.Amplifier Design: We designed the amp module from the ground up to be a true professional-grade amplifier. It incorporates ´´overkill” concepts in component selection as well as safety. The result is a ´´no-compromise” amp with robust headroom characteristics that will rival the performance of much higher priced studio rack mount amps.

Anbieter: Woodbrass.com
Stand: 13.08.2018
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Avantone Mixcubes Active (the Paire)
625,00 €
Angebot
533,00 € *
ggf. zzgl. Versand

The Avantone MixCubes are shielded, full-range mini reference monitors. Their design is inspired by the legacy of the 5C Sound Cubes used in virtually all-major studios for the last 25 years.Application: Active Recording / Mixdown MonitorsEngineering Objective: The Avantone Active Mixcubes are designed to be high-resolution, full-range powered mini-reference monitors for fixed or remote locations. The secondary engineering facet was to create a timeless design that compliments a single full-range transducer.Performance Objective: Studios primarily use 2-way & 3-way larger monitors designed to represent a wide range reference viewpoint at higher listening levels. However, in this newly developing age of High Definition Audio, there is still a need to also hear what your mix will sound like when played back over small ´´bass-challenged” systems such as televisions, clock radios, computers, car stereos, iPod docking stations, etc. It is important to make mixing judgments based partially on listening to reference monitors that will not impart tonal anomalies caused by crossovers or inferior full range drivers. Particular attention is always paid to the critical mid-range vocal/guitar/keyboard areas. This is where having a full-range monitor without a crossover is truly revealing. Ten months of R&D comparative listening & tweaking went into the voicing of the AVANTONE MixCubes. The result is a very smooth sounding, full range upgrade from the original 5C Sound Cubes. Listening tests reveal that the MixCubes have a smooth, more open, transparent top end response with extended bass while maintaining their basic original character.Cabinet Design: The original 5C Sound Cubes™ were made of ½” particleboard covered with a glue-on wood grain contact paper. We chose to use thicker, denser MDF board because of its high rigidity and inherent low-resonance characteristics. We started with a 165mm (6 1/2) sealed cube design with radiused edges. We then chose an elegant Polyurethane high gloss ´´RETRO-CREAM” finish. The originals had either screws or on later models plastic binding posts mounted on a recessed plastic cup. We upgraded to high-end nickel plated, machined solid metal binding posts (Dual banana spacing) mounted on a black anodized ,milled and silk-screened aluminum terminal plate. Next we added a 7mm thick neoprene pad embedded into the base of the cabinet to serve as a skid-resistant acoustic isolator. Additionally, for creative mounting situations, we recessed an industry standard 5/8”-27 mic stand mount into the base.Driver Design: The originals were a basic 5” stamped frame design. We designed a proprietary 5.25” die cast aluminum frame driver/cone assembly to exceed the performance of the originals. The mounting bezel is then polished for an elegant appearance. The paper cone, chosen for its musical character, is custom designed & crafted using the finest New Zealand pulp with mica fibers added for lighter weight & rigidity. The cloth surround is made in Japan to exacting uniform thickness tolerances. The Top Plate and T-Yoke of driver are made of Sumitomo 1008 low carbon steel enabling the highest modeled flux density in the gap. The magnets are Y- 40 GRADE (MIL-SPEC) yielding a 43oz. High Power-low distortion motor structure.Amplifier Design: We designed the amp module from the ground up to be a true professional-grade amplifier. It incorporates ´´overkill” concepts in component selection as well as safety. The result is a ´´no-compromise” amp with robust headroom characteristics that will rival the performance of much higher priced studio rack mount amps.

Anbieter: Woodbrass.com
Stand: 13.08.2018
Zum Angebot
Avantone Mixcubes Active (single)
325,00 €
Angebot
304,00 € *
ggf. zzgl. Versand

The Avantone MixCubes are shielded, full-range mini reference monitors. Their design is inspired by the legacy of the 5C Sound Cubes used in virtually all-major studios for the last 25 years.Application: Active Recording / Mixdown MonitorsEngineering Objective: The Avantone Active Mixcubes are designed to be high-resolution, full-range powered mini-reference monitors for fixed or remote locations. The secondary engineering facet was to create a timeless design that compliments a single full-range transducer.Performance Objective: Studios primarily use 2-way & 3-way larger monitors designed to represent a wide range reference viewpoint at higher listening levels. However, in this newly developing age of High Definition Audio, there is still a need to also hear what your mix will sound like when played back over small ´´bass-challenged” systems such as televisions, clock radios, computers, car stereos, iPod docking stations, etc. It is important to make mixing judgments based partially on listening to reference monitors that will not impart tonal anomalies caused by crossovers or inferior full range drivers. Particular attention is always paid to the critical mid-range vocal/guitar/keyboard areas. This is where having a full-range monitor without a crossover is truly revealing. Ten months of R&D comparative listening & tweaking went into the voicing of the AVANTONE MixCubes. The result is a very smooth sounding, full range upgrade from the original 5C Sound Cubes. Listening tests reveal that the MixCubes have a smooth, more open, transparent top end response with extended bass while maintaining their basic original character.Cabinet Design: The original 5C Sound Cubes™ were made of ½” particleboard covered with a glue-on wood grain contact paper. We chose to use thicker, denser MDF board because of its high rigidity and inherent low-resonance characteristics. We started with a 165mm (6 1/2) sealed cube design with radiused edges. We then chose an elegant Polyurethane high gloss ´´RETRO-CREAM” finish. The originals had either screws or on later models plastic binding posts mounted on a recessed plastic cup. We upgraded to high-end nickel plated, machined solid metal binding posts (Dual banana spacing) mounted on a black anodized ,milled and silk-screened aluminum terminal plate. Next we added a 7mm thick neoprene pad embedded into the base of the cabinet to serve as a skid-resistant acoustic isolator. Additionally, for creative mounting situations, we recessed an industry standard 5/8”-27 mic stand mount into the base.Driver Design: The originals were a basic 5” stamped frame design. We designed a proprietary 5.25” die cast aluminum frame driver/cone assembly to exceed the performance of the originals. The mounting bezel is then polished for an elegant appearance. The paper cone, chosen for its musical character, is custom designed & crafted using the finest New Zealand pulp with mica fibers added for lighter weight & rigidity. The cloth surround is made in Japan to exacting uniform thickness tolerances. The Top Plate and T-Yoke of driver are made of Sumitomo 1008 low carbon steel enabling the highest modeled flux density in the gap. The magnets are Y- 40 GRADE (MIL-SPEC) yielding a 43oz. High Power-low distortion motor structure.Amplifier Design: We designed the amp module from the ground up to be a true professional-grade amplifier. It incorporates ´´overkill” concepts in component selection as well as safety. The result is a ´´no-compromise” amp with robust headroom characteristics that will rival the performance of much higher priced studio rack mount amps.

Anbieter: Woodbrass.com
Stand: 13.08.2018
Zum Angebot